{"id":11631,"date":"2013-03-11T19:12:50","date_gmt":"2013-03-12T00:12:50","guid":{"rendered":"http:\/\/blog.kenperlin.com\/?p=11631"},"modified":"2013-03-11T19:12:50","modified_gmt":"2013-03-12T00:12:50","slug":"asymmetric-hybrids","status":"publish","type":"post","link":"http:\/\/blog.kenperlin.com\/?p=11631","title":{"rendered":"Asymmetric hybrids"},"content":{"rendered":"<p>Today I was in a conversation where somebody said that he was interested in the possibility of interactive movies.  He immediately acknowledged that a lot of people in the world of narrative film did not share his enthusiasm.  &#8220;They want to be the artist,&#8221; is the way he put it.  That is, they want to have precise control over how an audience experiences the flow of the narrative.<\/p>\n<p>At that moment it occurred to me why we are not seeing more interactivity in movies:  Because as soon as you add interactivity to a cinematic experience, it is no longer culturally labeled as a movie.  Rather, it is labeled as a game.<\/p>\n<p>For example, the landmark work <a href=http:\/\/en.wikipedia.org\/wiki\/Fa\u00e7ade_(interactive_story) target=1><i>Fa\u00e7ade<\/i><\/a> is an excellent example of what happens when you add interactivity to a visual narrative.<\/p>\n<p>As soon as <i>Fa\u00e7ade<\/i> came out it won all sorts of recognition in the Game world, including the Grand Jury Prize at the Slamdance Game Festival.<\/p>\n<p>Yet it is completely unknown in the film world &#8212; because being interactive, it is seen as a game.<\/p>\n<p>Another way to say this is as follows:<\/p>\n<blockquote><p>\n<b>Question:<\/b> &#8220;What do you get when you cross a movie with a game?&#8221;<\/p>\n<p><b>Answer:<\/b> &#8220;A game.&#8221;\n<\/p><\/blockquote>\n<p>I wonder how many other such asymmetric hybrids can be found in our culture?<\/p>\n<p>Here&#8217;s at least one more:<\/p>\n<blockquote><p>\n<b>Question:<\/b> &#8220;What do you get when you cross a car with a computer?&#8221;<\/p>\n<p><b>Answer:<\/b> &#8220;A car.&#8221;\n<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>Today I was in a conversation where somebody said that he was interested in the possibility of interactive movies. He immediately acknowledged that a lot of people in the world of narrative film did not share his enthusiasm. &#8220;They want to be the artist,&#8221; is the way he put it. That is, they want to &hellip; <a href=\"http:\/\/blog.kenperlin.com\/?p=11631\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Asymmetric hybrids&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"http:\/\/blog.kenperlin.com\/index.php?rest_route=\/wp\/v2\/posts\/11631"}],"collection":[{"href":"http:\/\/blog.kenperlin.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.kenperlin.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.kenperlin.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.kenperlin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=11631"}],"version-history":[{"count":11,"href":"http:\/\/blog.kenperlin.com\/index.php?rest_route=\/wp\/v2\/posts\/11631\/revisions"}],"predecessor-version":[{"id":11642,"href":"http:\/\/blog.kenperlin.com\/index.php?rest_route=\/wp\/v2\/posts\/11631\/revisions\/11642"}],"wp:attachment":[{"href":"http:\/\/blog.kenperlin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=11631"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.kenperlin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=11631"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.kenperlin.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=11631"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}