{"id":16067,"date":"2015-05-23T15:43:45","date_gmt":"2015-05-23T20:43:45","guid":{"rendered":"http:\/\/blog.kenperlin.com\/?p=16067"},"modified":"2015-05-23T15:43:45","modified_gmt":"2015-05-23T20:43:45","slug":"track-45-left-part-3","status":"publish","type":"post","link":"http:\/\/blog.kenperlin.com\/?p=16067","title":{"rendered":"Track 45 left, part 3"},"content":{"rendered":"<p>Think for a moment about the deal between photographer and audience.  A photo is a set of choices, the deliberate selection of a moment, of frame, lighting and viewpoint.  All of these choices are the prerogative and responsibility of the artist.  Cinema has a similar ethic.  No matter how many times you see a given cut of <i>Blade Runner<\/i>, you will see the same sequence of images.  The aesthetic choices have been baked in.<\/p>\n<p>What Ridley Scott was up to, I think, in the famous &#8220;Enhance 224&#8221; scene, was a challenge.  He was asking us to question the definition of &#8220;image&#8221;.  What if an image were not merely an image, but rather a universe of <i>possible<\/i> images?  This would fundamentally change the relationship between artist and audience.<\/p>\n<p>This doesn&#8217;t mean that creators would cede all control.  For example, a sculpture can be seen from an infinite number of viewpoints, yet sculpture is still a medium that gives enormous control to the artist.<\/p>\n<p>Rather, I think Ridley Scott was hinting at a possible future for cinema itself.  Suppose you could enter into the world of <i>Blade Runner<\/i>, peer around its corners, see some of Sebastian&#8217;s other creatures, maybe even visit the out-world.<\/p>\n<p>In more than one sense Ridley Scott was being a visionary.  Because now, more than three decades later, the capabilities hinted at in that scene are just beginning to become possible.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Think for a moment about the deal between photographer and audience. A photo is a set of choices, the deliberate selection of a moment, of frame, lighting and viewpoint. All of these choices are the prerogative and responsibility of the artist. Cinema has a similar ethic. No matter how many times you see a given &hellip; <a href=\"http:\/\/blog.kenperlin.com\/?p=16067\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Track 45 left, part 3&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"http:\/\/blog.kenperlin.com\/index.php?rest_route=\/wp\/v2\/posts\/16067"}],"collection":[{"href":"http:\/\/blog.kenperlin.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.kenperlin.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.kenperlin.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.kenperlin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=16067"}],"version-history":[{"count":1,"href":"http:\/\/blog.kenperlin.com\/index.php?rest_route=\/wp\/v2\/posts\/16067\/revisions"}],"predecessor-version":[{"id":16068,"href":"http:\/\/blog.kenperlin.com\/index.php?rest_route=\/wp\/v2\/posts\/16067\/revisions\/16068"}],"wp:attachment":[{"href":"http:\/\/blog.kenperlin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=16067"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.kenperlin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=16067"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.kenperlin.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=16067"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}