{"id":20818,"date":"2019-02-19T20:52:03","date_gmt":"2019-02-20T01:52:03","guid":{"rendered":"http:\/\/blog.kenperlin.com\/?p=20818"},"modified":"2019-02-19T20:52:03","modified_gmt":"2019-02-20T01:52:03","slug":"a-case-study-in-societal-evolution-part-2","status":"publish","type":"post","link":"http:\/\/blog.kenperlin.com\/?p=20818","title":{"rendered":"A case study in societal evolution, part 2"},"content":{"rendered":"<p>When <i>But I&#8217;m a Cheerleader<\/i> came out in 1999 critics seemed to miss the point. From today&#8217;s perspective, it is obvious that the story was being told by gay filmmakers for a gay audience.<\/p>\n<p>The portrayal of homophobic &#8220;conversion therapists&#8221; as cartoonish monsters parallels the portrayal of the white people in the recent film <i>Get Out<\/i>. When we watch <i>Get Out<\/i> we understand perfectly well that it&#8217;s a film by a black filmmaker focusing on black fears about white people.<\/p>\n<p>Yet in 1999 the idea that gay people could be having that particular conversation within their own community was off the critical radar &#8212; it simply sailed right by most reviewers.<\/p>\n<p>For example, David Edelstein in Slate said that the film was one sided, lacked dramatic tension, and was &#8220;lazy counterpropaganda&#8221;. Cynthia Fuchs in NitrateOnline said &#8220;no one who is phobic might recognize himself in the film&#8221; and &#8220;the audience who might benefit most from watching it either won&#8217;t see the film or won&#8217;t see the point.&#8221;<\/p>\n<p>The fact today that these reviews seem slightly absurd is actually a good thing. It shows that our culture has moved forward in the last twenty years.<\/p>\n<p>More tomorrow.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>When But I&#8217;m a Cheerleader came out in 1999 critics seemed to miss the point. From today&#8217;s perspective, it is obvious that the story was being told by gay filmmakers for a gay audience. The portrayal of homophobic &#8220;conversion therapists&#8221; as cartoonish monsters parallels the portrayal of the white people in the recent film Get &hellip; <a href=\"http:\/\/blog.kenperlin.com\/?p=20818\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;A case study in societal evolution, part 2&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"http:\/\/blog.kenperlin.com\/index.php?rest_route=\/wp\/v2\/posts\/20818"}],"collection":[{"href":"http:\/\/blog.kenperlin.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.kenperlin.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.kenperlin.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.kenperlin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=20818"}],"version-history":[{"count":1,"href":"http:\/\/blog.kenperlin.com\/index.php?rest_route=\/wp\/v2\/posts\/20818\/revisions"}],"predecessor-version":[{"id":20819,"href":"http:\/\/blog.kenperlin.com\/index.php?rest_route=\/wp\/v2\/posts\/20818\/revisions\/20819"}],"wp:attachment":[{"href":"http:\/\/blog.kenperlin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=20818"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.kenperlin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=20818"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.kenperlin.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=20818"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}