{"id":2115,"date":"2009-09-22T19:12:06","date_gmt":"2009-09-23T00:12:06","guid":{"rendered":"http:\/\/blog.kenperlin.com\/?p=2115"},"modified":"2009-09-22T19:20:20","modified_gmt":"2009-09-23T00:20:20","slug":"chord","status":"publish","type":"post","link":"http:\/\/blog.kenperlin.com\/?p=2115","title":{"rendered":"Chord"},"content":{"rendered":"<p>When I was a kid, one of my favorite activities was to listen &#8211; rapturously &#8211; to my Beatles albums.  And every time I played &#8220;Abbey Road&#8221;, I would count out the seventeen second silence dividing the last two tracks, &#8220;The End&#8221; and &#8220;Her Majesty&#8221; (actually, I still do).  It delighted me no end that the most popular of commercially successful music groups would defy convention by throwing such a luxurious amount of complete silence &#8211; a calm natural preserve of zen space &#8211; into what was, in essence, some of the most expensive sonic real estate on Earth.<\/p>\n<p>The effect is greatly enhanced by the fact that &#8220;Her Majesty&#8221; starts with a resounding D\/A major chord.  A lovely historical accident of editing &#8211; it was originally meant to be the final chord of &#8220;Mean Mister Mustard&#8221; &#8211; this chord turns out to be a perfect intro to McCartney&#8217;s slyly folksy little 23 second masterpiece &#8211; which was, by the way, the very last song on the Beatles&#8217; very last recorded album.<\/p>\n<p>Only recently did I consciously realize something I had understood for years on a subliminal level &#8211; that the start-up chord we hear in Apple computers (and occasionally in Pixar films) &#8211; a full-bodied F# chord designed by Jim Reekes in 1991, originally for the Quadra 700 &#8211; is eerily similar in its sound and effect to the chord that begins &#8220;Her Majesty&#8221;.<\/p>\n<p>Not only do the two chords sound remarkably alike, but they serve roughly the same purpose &#8211; as a way to announce: &#8220;Here is something quirky, friendly and slightly unexpected &#8211; something meant to appeal to your inner child, but in a sophisticated and grown-up way.&#8221;<\/p>\n<p>At the time this chord was being deployed, Apple Computer was living under the shadow of a lawsuit by Apple Records &#8211; a lawsuit intended by the Beatles to stop Steve Jobs&#8217; outfit from diluting Apple Records&#8217; brand as a company known for distributing music.<\/p>\n<p>The Beatles initially won that battle, but now of course Apple Computer has won the war &#8211; distributing music has become one of its most high profile and lucrative activities.   I find myself wondering whether Jobs, when he made the decision in 1997 to make Reekes&#8217; feisty little chord the universal start-up sound for all Apple computers, was actually firing a winking salvo at the Beatles &#8211; a sonic thumbing of his nose at their lawsuit.  Not that Apple Records could do anything about it.  After all, one can&#8217;t very well go after a rival company for using an F# major chord, when one&#8217;s original chord was a D\/A major.<\/p>\n<p>Considering how highly the Beatles were valued in England for their contributions to their nation&#8217;s ailing post-war economy (in 1965 they were appointed &#8220;Members of the Order of the British Empire&#8221; by Queen Elizabeth II herself), it is somewhat surprising that the British Government would allow an upstart computer company from across the pond to yank the chord of the Fab Four.<\/p>\n<p>Or maybe not so surprising.  From what I hear, Her Majesty&#8217;s a pretty nice girl, but she doesn&#8217;t have a lot to say.<\/p>\n<p>\ud83d\ude09 <\/p>\n","protected":false},"excerpt":{"rendered":"<p>When I was a kid, one of my favorite activities was to listen &#8211; rapturously &#8211; to my Beatles albums. And every time I played &#8220;Abbey Road&#8221;, I would count out the seventeen second silence dividing the last two tracks, &#8220;The End&#8221; and &#8220;Her Majesty&#8221; (actually, I still do). It delighted me no end that &hellip; <a href=\"http:\/\/blog.kenperlin.com\/?p=2115\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Chord&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"http:\/\/blog.kenperlin.com\/index.php?rest_route=\/wp\/v2\/posts\/2115"}],"collection":[{"href":"http:\/\/blog.kenperlin.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.kenperlin.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.kenperlin.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.kenperlin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2115"}],"version-history":[{"count":10,"href":"http:\/\/blog.kenperlin.com\/index.php?rest_route=\/wp\/v2\/posts\/2115\/revisions"}],"predecessor-version":[{"id":2125,"href":"http:\/\/blog.kenperlin.com\/index.php?rest_route=\/wp\/v2\/posts\/2115\/revisions\/2125"}],"wp:attachment":[{"href":"http:\/\/blog.kenperlin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2115"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.kenperlin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2115"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.kenperlin.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2115"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}