{"id":3683,"date":"2010-05-07T21:18:09","date_gmt":"2010-05-08T02:18:09","guid":{"rendered":"http:\/\/blog.kenperlin.com\/?p=3683"},"modified":"2010-05-07T21:18:09","modified_gmt":"2010-05-08T02:18:09","slug":"digital-makeup","status":"publish","type":"post","link":"http:\/\/blog.kenperlin.com\/?p=3683","title":{"rendered":"Digital makeup"},"content":{"rendered":"<p>Today I participated in a very interesting discussion about &#8220;Virtual Humans&#8221;.  People were talking about the fact that computer graphic representations of people are getting near the point when an actor will be able to don &#8220;digital makeup&#8221; and nobody will be able to distinguish the synthetic result, rendered on a computer, from an actual image of a physical person, shot with a conventional movie camera.<\/p>\n<p>When that happens, of course it will free actors from the accidents of physical appearance.  For example, a brilliant but not &#8220;leading man&#8221; actor like Paul Giamatti, might be able to take on the kind of role that had previously gone only to Brad Pitt or George Clooney. You get the idea.<\/p>\n<p>By the way, the real technical bottleneck to this scenario becoming a pervasive reality won&#8217;t be the proper capture of physical appearance <i>per se<\/i>, but rather the proper capture of all the tiny facial movements &#8212; particularly around the eyes and mouth &#8212; that an actor uses to convey emotion.  Today&#8217;s best technology can already come remarkably close to making &#8220;digital make-up&#8221; look quite convincing.  But once an actor&#8217;s face starts to move, things begin to slip.  Current technology can get almost all of it, but almost all is not quite enough when you&#8217;re talking about capturing the subtleties of emotion.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Today I participated in a very interesting discussion about &#8220;Virtual Humans&#8221;. People were talking about the fact that computer graphic representations of people are getting near the point when an actor will be able to don &#8220;digital makeup&#8221; and nobody will be able to distinguish the synthetic result, rendered on a computer, from an actual &hellip; <a href=\"http:\/\/blog.kenperlin.com\/?p=3683\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Digital makeup&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"http:\/\/blog.kenperlin.com\/index.php?rest_route=\/wp\/v2\/posts\/3683"}],"collection":[{"href":"http:\/\/blog.kenperlin.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.kenperlin.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.kenperlin.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.kenperlin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3683"}],"version-history":[{"count":1,"href":"http:\/\/blog.kenperlin.com\/index.php?rest_route=\/wp\/v2\/posts\/3683\/revisions"}],"predecessor-version":[{"id":3684,"href":"http:\/\/blog.kenperlin.com\/index.php?rest_route=\/wp\/v2\/posts\/3683\/revisions\/3684"}],"wp:attachment":[{"href":"http:\/\/blog.kenperlin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3683"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.kenperlin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3683"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.kenperlin.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3683"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}