{"id":4490,"date":"2010-08-24T23:39:16","date_gmt":"2010-08-25T04:39:16","guid":{"rendered":"http:\/\/blog.kenperlin.com\/?p=4490"},"modified":"2010-08-24T23:39:16","modified_gmt":"2010-08-25T04:39:16","slug":"animation-as-live-theatre","status":"publish","type":"post","link":"http:\/\/blog.kenperlin.com\/?p=4490","title":{"rendered":"Animation as live theatre"},"content":{"rendered":"<p>Live theatre has something that film does not have &#8212; it is live.  An audience seeing a play is in a unique moment in time, together with the actors up on the stage.  If the mood of the audience changes, the performance itself will change, as the cast picks up on that changing mood and reflects it back across the footlights.<\/p>\n<p>There is no equivalent in film.  Every time you see <i>Casablanca<\/i>, or <i>The Godfather<\/i>, as magnificent as those films are, you will see exactly the same performances, the identical artistic choices.  A film is a frozen artifact, a fixed point in aesthetic space, not an organic entity that interacts with its audience.<\/p>\n<p>In this way, animation is of course like film.  Every time you see <i>Toy Story<\/i> or <i>Princess Mononoke<\/i>, you are seeing exactly the same performances.<\/p>\n<p>But what if animation could be more like theatre?  What if the virtual actors could improvise, based on audience response?  Would it still feel like watching an animated film, or would it start to feel more like live theatre?<\/p>\n<p>Computer games do something vaguely similar, but they generally do not privilege deep and psychologically engaging characters.  What if we wanted real-time animated performances, right on our computer screens, of stories about characters with emotional depth and resonance?  As Janet Murray asked back in 1997, will we ever get Hamlet on the Holodeck?<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Live theatre has something that film does not have &#8212; it is live. An audience seeing a play is in a unique moment in time, together with the actors up on the stage. If the mood of the audience changes, the performance itself will change, as the cast picks up on that changing mood and &hellip; <a href=\"http:\/\/blog.kenperlin.com\/?p=4490\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Animation as live theatre&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"http:\/\/blog.kenperlin.com\/index.php?rest_route=\/wp\/v2\/posts\/4490"}],"collection":[{"href":"http:\/\/blog.kenperlin.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.kenperlin.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.kenperlin.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.kenperlin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4490"}],"version-history":[{"count":1,"href":"http:\/\/blog.kenperlin.com\/index.php?rest_route=\/wp\/v2\/posts\/4490\/revisions"}],"predecessor-version":[{"id":4491,"href":"http:\/\/blog.kenperlin.com\/index.php?rest_route=\/wp\/v2\/posts\/4490\/revisions\/4491"}],"wp:attachment":[{"href":"http:\/\/blog.kenperlin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4490"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.kenperlin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4490"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.kenperlin.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4490"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}