{"id":6000,"date":"2011-02-26T19:49:41","date_gmt":"2011-02-27T00:49:41","guid":{"rendered":"http:\/\/blog.kenperlin.com\/?p=6000"},"modified":"2011-02-26T19:57:03","modified_gmt":"2011-02-27T00:57:03","slug":"the-courage-to-be-funny","status":"publish","type":"post","link":"http:\/\/blog.kenperlin.com\/?p=6000","title":{"rendered":"The courage to be funny"},"content":{"rendered":"<p>On a whim, last night I rewatched the 1968 musical film &#8220;Funny Girl&#8221;, a highly revisionist take on the great vaudeville comedienne Fanny Brice.  In the title role, the young Barbra Streisand won that year&#8217;s Academy Award for best actress.<\/p>\n<p>Watching the film now, I was struck by something odd.  While Streisand&#8217;s singing is spectacular (as always), and she is completely adorable, she&#8217;s not very funny.  I mean, she&#8217;s sort of funny, but not <i>very<\/i> funny.  And this in a role where she is playing a legendary comedienne.<\/p>\n<p>The problem couldn&#8217;t be due to a shift in culture in the last four decades.  After all, the Marx Brothers are every bit as funny now as they were almost 80 years ago.  So I went to YouTube and watched every clip I could find of the actual Fanny Brice, mostly from the 1930s.  And <i>man<\/i> is she funny!  Her performances are completely over the top, borderline insane, fearlessly comical.<\/p>\n<p>By complete coincidence, I was having lunch today with my sister, and she mentioned something Jerry Seinfeld had said about his &#8220;Seinfeld&#8221; co-star Julia Louis-Dreyfus.  He pointed out that although she is a beautiful woman, she never lets any desire to look good interfere with her comedy.  She&#8217;s willing to be as crazed, rubber faced or ridiculous as needed to get the laugh across.  Which, he said admiringly, makes her a true comedian.<\/p>\n<p>Immediately, of course, I thought of Lucille Ball, another beautiful woman who was willing to go to the mat for comedy.  And it struck me that this was exactly the problem &#8212; Barbra wasn&#8217;t willing to go to that edge.  In fact, she never went anywhere near it.  She gave the <i>idea<\/i> of a person willing to do pratfalls, but as you watch her performance you can always see her signaling to you that it&#8217;s just an act.<\/p>\n<p>Of course Barbra Streisand was fighting other battles.  She was busy showing the world that a woman who looked ethnically Jewish could also be seen as very beautiful, which was a real battle back then.  Similar battles have been fought in other eras over the beauty of other ethnicities &#8212; black, hispanic, greek, italian and, in its day, almost any other &#8220;outsider&#8221; culture.  And it&#8217;s not just women &#8212; Al Pacino fought this battle as well (see the history of the casting of &#8220;The Godfather&#8221;).  So maybe the stakes were too high for Barbra to go to the mat for mere comedy.<\/p>\n<p>But Brice was not interested in fighting for beauty, and she never portrayed herself as one.  Beauty, in our society, can itself be a kind of prison.  Free of that prison, Brice was free to express herself without restriction, and to be a great comic genius.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>On a whim, last night I rewatched the 1968 musical film &#8220;Funny Girl&#8221;, a highly revisionist take on the great vaudeville comedienne Fanny Brice. In the title role, the young Barbra Streisand won that year&#8217;s Academy Award for best actress. Watching the film now, I was struck by something odd. While Streisand&#8217;s singing is spectacular &hellip; <a href=\"http:\/\/blog.kenperlin.com\/?p=6000\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;The courage to be funny&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"http:\/\/blog.kenperlin.com\/index.php?rest_route=\/wp\/v2\/posts\/6000"}],"collection":[{"href":"http:\/\/blog.kenperlin.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.kenperlin.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.kenperlin.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.kenperlin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6000"}],"version-history":[{"count":2,"href":"http:\/\/blog.kenperlin.com\/index.php?rest_route=\/wp\/v2\/posts\/6000\/revisions"}],"predecessor-version":[{"id":6002,"href":"http:\/\/blog.kenperlin.com\/index.php?rest_route=\/wp\/v2\/posts\/6000\/revisions\/6002"}],"wp:attachment":[{"href":"http:\/\/blog.kenperlin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6000"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.kenperlin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6000"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.kenperlin.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6000"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}