{"id":1792,"date":"2009-07-31T23:58:53","date_gmt":"2009-08-01T04:58:53","guid":{"rendered":"http:\/\/blog.kenperlin.com\/?p=1792"},"modified":"2009-08-01T00:03:03","modified_gmt":"2009-08-01T05:03:03","slug":"near-perfect","status":"publish","type":"post","link":"https:\/\/blog.kenperlin.com\/?p=1792","title":{"rendered":"Near perfect"},"content":{"rendered":"<p>Finally got around, just last night, to seeing Kathryn Bigelow&#8217;s 1987 Indie masterpiece &#8220;Near Dark&#8221;.  I don&#8217;t use the word masterpiece lightly.  In only her second feature film, the writer\/director managed to create a lesson <i>par excellence<\/i> on how it&#8217;s done.<\/p>\n<p>Yes, it&#8217;s a vampire film, but that&#8217;s a little like saying that Bill Gates is a businessman.  That doesn&#8217;t even begin to scratch the surface.  It&#8217;s also a dead-on study of southern rural disaffection, a start-to-finish thrilling action adventure film, a perfect ensemble character study, a novel take on Romeo and Juliet, as well as being a truly innovative update of the myth of Orpheus and Eurydice. <\/p>\n<p>Every single shot counts, every camera angle and edit cut adds to the character, story and suspense, and &#8211; unlike almost most films &#8211; each and every character is truly interesting, rounded, complex and surprising.  In fact, the dramatic arc of one of the so-called &#8220;minor&#8221; characters is so surprising, with such a startling yet insightful late-story psychological twist, that you may find yourself thinking about him for years to come.<\/p>\n<p>The whole thing is done on a very low budget, with the simplest of visual elements used to pull you powerfully into an entire unique world. &#8220;Near Dark&#8221; may just be as near perfect a little film as I&#8217;ve ever seen.  I recommend you go out and watch it.  And when you&#8217;ve done that, go right ahead and watch it again.  If you&#8217;ve ever thought you might want to make your own movie one day, and are looking for inspiration, this is the one to watch.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Finally got around, just last night, to seeing Kathryn Bigelow&#8217;s 1987 Indie masterpiece &#8220;Near Dark&#8221;. I don&#8217;t use the word masterpiece lightly. In only her second feature film, the writer\/director managed to create a lesson par excellence on how it&#8217;s done. Yes, it&#8217;s a vampire film, but that&#8217;s a little like saying that Bill Gates &hellip; <a href=\"https:\/\/blog.kenperlin.com\/?p=1792\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Near perfect&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/blog.kenperlin.com\/index.php?rest_route=\/wp\/v2\/posts\/1792"}],"collection":[{"href":"https:\/\/blog.kenperlin.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.kenperlin.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.kenperlin.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.kenperlin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1792"}],"version-history":[{"count":3,"href":"https:\/\/blog.kenperlin.com\/index.php?rest_route=\/wp\/v2\/posts\/1792\/revisions"}],"predecessor-version":[{"id":1794,"href":"https:\/\/blog.kenperlin.com\/index.php?rest_route=\/wp\/v2\/posts\/1792\/revisions\/1794"}],"wp:attachment":[{"href":"https:\/\/blog.kenperlin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1792"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.kenperlin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1792"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.kenperlin.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1792"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}