{"id":22522,"date":"2020-08-30T20:24:16","date_gmt":"2020-08-31T01:24:16","guid":{"rendered":"http:\/\/blog.kenperlin.com\/?p=22522"},"modified":"2020-08-30T20:24:37","modified_gmt":"2020-08-31T01:24:37","slug":"the-rhythm-of-names","status":"publish","type":"post","link":"https:\/\/blog.kenperlin.com\/?p=22522","title":{"rendered":"The rhythm of names"},"content":{"rendered":"<p>I used to struggle to remember which was which &#8212; Thor Heyerdahl and Dag Hammarskj\u00f6ld. One was a great globe-hopping Norwegian adventurer. The other was a great globe-hopping Swedish diplomat.<\/p>\n<p>The problem, I think, was the rhythm. As a kind of verbal music, the two names sounded nearly identical to me.<\/p>\n<p>The names of other famous people also share this same rhythm, including the actor George Hamilton, the animator Jan Pinkava, and the futurist Hans Moravec. I am sure you can think of lots of others as well.<\/p>\n<p>The rhythm of names is a subject that many people find endlessly to be endlessly generative. Lin-Manuel Miranda, to cite one example, constructed an entire rap musical around the rhythm of the words &#8220;Alexander Hamilton&#8221;.<\/p>\n<p>Not that he was the first to do so. Back in 1952, my favorite songwriter of them all, Frank Loesser, found enough music in the name &#8220;Hans Christian Andersen&#8221; to build an entire songbook.<\/p>\n<p>Now that I think of it, I probably got on this subject because last night I rewatched Loesser&#8217;s &#8220;Guys and Dolls&#8221;, an absolute masterpiece. I had forgotten how Frank Sinatra&#8217;s character casually slips into Yiddish during one of my favorite songs.<\/p>\n<p>You should catch it while it is still on Netflix. It is an immensely enjoyable way to spend an evening.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I used to struggle to remember which was which &#8212; Thor Heyerdahl and Dag Hammarskj\u00f6ld. One was a great globe-hopping Norwegian adventurer. The other was a great globe-hopping Swedish diplomat. The problem, I think, was the rhythm. As a kind of verbal music, the two names sounded nearly identical to me. The names of other &hellip; <a href=\"https:\/\/blog.kenperlin.com\/?p=22522\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;The rhythm of names&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/blog.kenperlin.com\/index.php?rest_route=\/wp\/v2\/posts\/22522"}],"collection":[{"href":"https:\/\/blog.kenperlin.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.kenperlin.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.kenperlin.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.kenperlin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=22522"}],"version-history":[{"count":2,"href":"https:\/\/blog.kenperlin.com\/index.php?rest_route=\/wp\/v2\/posts\/22522\/revisions"}],"predecessor-version":[{"id":22524,"href":"https:\/\/blog.kenperlin.com\/index.php?rest_route=\/wp\/v2\/posts\/22522\/revisions\/22524"}],"wp:attachment":[{"href":"https:\/\/blog.kenperlin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=22522"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.kenperlin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=22522"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.kenperlin.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=22522"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}