{"id":7491,"date":"2011-11-20T14:37:05","date_gmt":"2011-11-20T19:37:05","guid":{"rendered":"http:\/\/blog.kenperlin.com\/?p=7491"},"modified":"2011-11-20T14:39:48","modified_gmt":"2011-11-20T19:39:48","slug":"134","status":"publish","type":"post","link":"https:\/\/blog.kenperlin.com\/?p=7491","title":{"rendered":"13\/4"},"content":{"rendered":"<p>There are a few pieces of popular music that break out of the strait-jacket of 4\/4 time, or its somewhat less popular cousin 3\/4 time.  Dave Brubeck&#8217;s &#8220;Take Five&#8221; comes to mind of course, the jazz classic that alternates between 5\/4 and 4\/4 time signatures.<\/p>\n<p>I recently realized that the 1981 hit <a href=http:\/\/en.wikipedia.org\/wiki\/Golden_Brown target=1>Golden Brown<\/a> by The Stranglers has an intro in 13\/4 time.  I can&#8217;t think of <i>anything<\/i> else in pop music with a 13\/4 time signature.<\/p>\n<p>In particular, the song&#8217;s instrumental intro is formed from sequences of four measures that have 3,3,3,4 beats, respectively, for a total of thirteen beats.<\/p>\n<p>Very strange, yet it all works.  When you&#8217;re just listening to the intro it feels oddly exotic, but completely right.  I suspect that there might be some perceptual number theory working under the surface:  Three groups of three-beat measures, and then every fourth measure having four beats.  Perhaps the logic of this is so compelling that it trumps our cultural expectations.<\/p>\n<p>And I love the fact that when you say the words &#8220;Golden Brown&#8221; out loud, the rhythm you hear is exactly the same as when you say &#8220;13\/4&#8221;.<\/p>\n<p>It is wonderful when artists do something that according to conventional rules should not work &#8212; and then it does.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>There are a few pieces of popular music that break out of the strait-jacket of 4\/4 time, or its somewhat less popular cousin 3\/4 time. Dave Brubeck&#8217;s &#8220;Take Five&#8221; comes to mind of course, the jazz classic that alternates between 5\/4 and 4\/4 time signatures. I recently realized that the 1981 hit Golden Brown by &hellip; <a href=\"https:\/\/blog.kenperlin.com\/?p=7491\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;13\/4&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/blog.kenperlin.com\/index.php?rest_route=\/wp\/v2\/posts\/7491"}],"collection":[{"href":"https:\/\/blog.kenperlin.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.kenperlin.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.kenperlin.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.kenperlin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7491"}],"version-history":[{"count":7,"href":"https:\/\/blog.kenperlin.com\/index.php?rest_route=\/wp\/v2\/posts\/7491\/revisions"}],"predecessor-version":[{"id":7498,"href":"https:\/\/blog.kenperlin.com\/index.php?rest_route=\/wp\/v2\/posts\/7491\/revisions\/7498"}],"wp:attachment":[{"href":"https:\/\/blog.kenperlin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7491"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.kenperlin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7491"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.kenperlin.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7491"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}