Actually watching “Watchmen” (in IMAX, I might add) was an odd experience, after having been immersed in the great written work by Alan Moore, upon which it is based. So many details are correct, so much loving care has gone into respecting the source. And yet while watching it I felt the strain – the attempt to suggest a vast and sweeping epic in the space of a mere 2½ hours. Of course it’s the same with all films that adopt novels – large chunks of what you loved about the original never make it to the screen – often some of the most compelling and powerful parts. We might call this the Tom Bombadil problem (if you don’t know what that refers to, you’ve been missing a truly great book).
But I thought the resonance was right (with the exception of one role that was miscast). You really feel the book, its rhythm and its crazy psychological logic, oozing out of the pores of the film, just as Horton Foote made you feel Harper Lee’s writing in his adaptation for the screen of “To Kill a Mockingbird”.
By streamlining down to essentials the book may in fact better serve Alan Moore’s intent than the book ever did. At heart, it’s a meditation on the strangeness of vigilante justice: The more focused you become on serving the greater good of humanity at any cost, the less you are able to focus on the value of a single life.
And at some point it all goes ‘pataphysical: the ultimate “good” superhero is the ultimate Nietzschean monster. “Watchmen” lays bare the choices: What kind of superhero do you want to be, and therefore which brand of insanity will you embrace?
Because the novel was so rich, and went into so many dimensions at once, both psychologically and aesthetically, this central point was sometimes hard to see. But in the movie it comes across loud and clear.
And that’s one of the great things about movies. You don’t really have any time to explain anything in detail – but instead you can insert a visual that tells the same thing on a gut emotional level. And visual images have a way of getting into our memory on a more primal level than mere words on a page. All part of the magic of cinema.
Whether that’s a good thing or not, I have no idea.

