Continuing from yesterday…
The pattern of technology creating new opportunities for transcription of presence continued onward with the invention of motion pictures. Before moving pictures, you could look at a photo of a deceased person to know what somebody looked like, but you couldn’t get a sense of their presence — how they moved, how it might have felt to share a room with them.
Note that there is a common theme running through all of these examples. Each new recording technology is immediately useful, but many years later it takes on an added significance.
For example, the first photographers were not taking pictures of people because they were thinking that those people would one day be dead. Everyone might have understood that intellectually, but it wasn’t quite an emotional reality.
Similarly, early motion pictures did not, when they were new, possess the haunting quality that they have now. We look in astonishment at early film reels of people walking around New York City or Paris in the 1890s, and we realize that these people look young and vibrant, and that they are not thinking at all about their own eventual mortality.
Let’s focus in on this split between the immediate long term impacts of any new technology that transcribes presence. When it first shows up, any such technology focuses on the here and now.
But eventually, the value of the same technology comes to be seen as partly forensic. It opens a powerful new window into our past, one that had never before been possible.
To put it another way: Important aspects of recorded history begin with the invention of new recording technologies. But what might this mean for future technologies?
More tomorrow.