Virtual restaurants, part 2

My post yesterday talked about virtual restaurants. The basic idea was to use the forthcoming technology of good mixed reality to virtually join together diners. All customers feel as though they are dining together in a restaurant, although each couple or family group is actually sitting at home.

This could be combined with complementary technologies, such as robotic equipment that prepares the food, and other robotic equipment that serves it. In this way, everybody in the virtual restaurant could partake of the same cuisine.

Delivery services from Whole Foods, Sprouts, and their equivalents could be packaged in such a way that food preparation at home can be entirely automated. So, for example, making a reservation to “dine out” on a Friday evening automatically prompts a set of orders to your food delivery provider of choice. By the time Friday arrives, all needed ingredients are in your house and ready to go.

Meanwhile, thanks to mixed reality, your robot “waiter” can have an avatar that suggests a particular cuisine: French, Italian, mediterranean. You can even get a Hobbit cuisine from the Shire as your virtual waitperson, if you are dining out for second breakfasts or elevensies.

If you are willing to pay a little extra, you can get a live human being to virtually wait on your table. In reality, this person may be operating from their own home, perhaps in Iowa or Kentucky. Technically that would be a form of remote computer-mediated puppetry.

A whole industry could be built around such remote personalized services. But that’s an entire topic unto itself.

Virtual restaurants

As I mentioned yesterday, going to a restaurant can be a very compelling experience. But what if we can’t go to restaurants? We seem to be facing just such a situation now, during the coronavirus pandemic.

Perhaps we can take some elements of restaurants and bring them into the home. This may become much more feasible within the next several years.

Imagine that you and your loved one are dining at home. Perhaps you want to liven things up a bit. You both take out your trusty mixed reality glasses and voila! you are transported to a virtual restaurant.

All around you, other diners are eating, laughing, enjoying each others’ company. The mood is infectious.

Suddenly you feel more alive, your food tastes better, and everything is right in the world. That is the experience of the virtual restaurant.

It may seem different, yet one the most important things about restaurants has not changed: You and the other diners are all paying good money to provide entertainment for one another.

The beauty of restaurants

The beauty of restaurants is that people pay good money to entertain each other. Think about it.

When you go to a restaurant, you are paying a lot more for the same food than you would pay to make it yourself at home. Ostensibly, the difference is that people are making it for you and serving it to you.

But I don’t think that’s quite it. The real appeal of a restaurant is that you are surrounded by other diners. You never meet them, but you call catch the excitement from each other of being someplace special.

Essentially, a restaurant plays to our instinct to get out of the cave and be in the presence of the larger tribe. When you see it this way, you realize that the diners at the different tables are collectively providing entertainment for each other.

In fact, if you really listen to the conversation in a crowded restaurant, you quickly realize that snatches of conversation at one table are soon repeated and incorporated into what is spoken at the next table over. People don’t consciously realize they are doing this, yet they do it nonetheless, and they do it a lot.

The effect of all this is that when we hang out at a restaurant, we feel smarter, wittier, more alive. Words flow with the wine, and everybody sparkles just a little bit more brightly than they do at home.

The beauty of restaurants is that people pay good money to entertain each other. Think about it.

Turn off your phone

For the first weeks of the coronavirus outbreak I was having difficulty balancing my time between the personal and professional. Early on I made a rule that I would keep work only on certain days of the week, and then only within a certain range of hours.

I thought that would solve the problem, but it didn’t. I found myself worrying about work when I should have been focusing on my personal life. I think the problem is that once work goes virtual, it is (ironically) always present in the room, wherever you are.

But now I think I have really solved the problem. Not only do I walk away from the computer outside of certain bounded hours, but I also walk away from the phone. Not only that, I power off my phone.

Once my phone is powered off at some point in the afternoon, I don’t even turn it on until the following morning. My feeling is that anything from the outside world that would require my attention at night can just as easily wait until morning.

There is no email so urgent that it can’t wait until morning. And if somebody phones me and really needs me to call them back, they can leave a voicemail message.

It was interesting to see how my subconscious self adapted to this change. At first I found myself reaching for my phone at random moments.

Then I would remember, with a sense of relief, that it was literally impossible for me to reach for my phone. Not only was my phone powered off, but it was sitting in a room somewhere else in the house, at a safe distance from my neurotic self.

Since I have adopted the practice of turning my phone off after work is done, life has gotten much better in every way. I am far more present with people I love, the people who are right there in the room with me. Not coincidentally, my level of anxiety has gone from very high to very low.

Turn off your phone. I highly recommend it.

Future movie actors

Seeing everybody virtually through video software, while also catching up on lots of old movies, my mind goes to odd places. One of those places is the question of digital make-up.

One of the charming things about Hollywood movies is that they work with “found materials”. Cary Grant looks like Cary Grant, and Winona Ryder looks like Winona Ryder.

The particular quirks of nature that formed these unique human beings are factored into the writing, directing, lighting, editing and other choices made by filmmakers. If a different actor had been cast, a good filmmaker would have adjusted those choices.

Yet we entering an age where natural appearance matters less and less. At some point the digital alteration of appearance will become a mature technology.

At that point, all bets are off. If Paul Giamatti has the chops to play a Harrison Ford role, then why not? Even better, if he has the chops to play Humphrey Bogart well, then Bogie is back.

Beyond that, filmmakers will be able to create actor appearances that are tuned to the role, without needing to find somebody who happens to look just right. Screen acting will become a kind of digital puppetry, and nobody will care what the puppeteer happens to look like.

What will be the impact of all this on cinema? Will movies be better or worse? I have absolutely no idea.

Predicting what will change

There’s a sort of game that I’ve found myself playing with friends and colleagues lately. The basic idea is that we extrapolate from the current situation to see what it means for the future.

Specifically: What things, we ask, will not go back to the way they used to be? Now that millions of people are getting used to being home with their families, will they all just go back to working in offices?

Or will people resist going back to the relatively soulless world of long commutes and office parks? Will some other set of social and economic structures emerge, one that is more humane and family friendly?

Of course, after this outbreak is over, some things will go back to being pretty much the way they were before all of this ever started. But other things won’t.

And what will those things be? It’s an interesting question.

Mind reading

We usually don’t really know for sure what other people think of us. After all, we don’t have the power of mind reading.

In my life there have been people whom I was quite sure did not like me. Only later did I find out that they were quite fond of me.

On the opposite end of the spectrum, I can think of people who were consistently pleasant to me. Eventually, I learned that it was just an act, and that they didn’t really like me at all.

I suspect you have had similar experiences. We just can’t know what is going on in the head of another person.

I wonder how much life would change if there were a way to know, with certainty, what other people really thought of us. Maybe this could be achieved by some sort of future glasses with built-in A.I.

Would that lead to something positive? Or would we all just end up killing each other?

Eye contact

A weird thing about Skype, Zoom, and similar video chat tools is that they don’t support eye contact for a call with more than two people. So there is a fundamental difference between talking one-on-one and any other remote conversation.

In real life, we use our eye gaze, face, body, hands and other nonverbal cues to let everyone know to whom we are directing our attention. We are very good at this. Sometimes we can send very complex nonverbal messages about how we are directing our attention, in different ways, to multiple people at once.

But in video chat we have none of those powers at our disposal. We are just looking into a camera lens, no matter who we are talking to.

I suspect that one of the next big innovations in video chat will be a good way to solve this problem. Given that we are, for now, pretty much all stuck working remotely, it seems like a very worthwhile problem to work on.